Funk & Wagnalls Company, 1927
      Page 
      6
      of 12
      
      Originally from the novel Quatre-Vingt Treize
1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12
 
 
    
         Outside, the waves beating against the ship responded with 
          their blows to the shocks of the cannon. It was like two hammers alternating. 
          
          
          Suddenly, in the midst of this inaccessible ring, where the escaped 
          cannon was leaping, a man was seen to appear, with an iron bar in his 
          hand. He was the author of the catastrophe, the captain of the gun, 
          guilty of criminal carelessness, and the cause of the accident, the 
          master of the carronade. Having done the mischief, he was anxious to 
          repair it. He had seized the iron bar in one hand, a tiller-rope with 
          a slipnoose in the other, and jumped down the hatchway to the gun-deck. 
          
          
          Then began an awful sight; a Titanic scene; the contest between gun 
          and gunner; the battle of matter and intelligence; the duel between 
          man and the inanimate.
          
          The man stationed himself in a corner, and, with bar and rope in his 
          two hands, he leaned against one of the riders, braced himself on his 
          legs, which seemed two steel posts, and livid, calm, tragic, as if rooted 
          to the deck, he waited.
          
          He waited for the cannon to pass by him.
          
          The gunner knew his gun, and it seemed to him as if the gun ought to 
          know him. He had lived long with it. How many times he had thrust his 
          hand into its mouth! It was his own familiar monster. He began to speak 
          to it as if it were his dog.
          
          “Come!“ he said. Perhaps he loved it.
          
          He seemed to wish it to come to him.
          
          But to come to him was to come upon him. And then he would be lost. 
          How could he avoid being crushed? That was the question. All looked 
          on in terror.
 
 
    
    
Concept, content & Design: The Art of Age of Sail